Introduction: The 110 film format, once a symbol of compact convenience, continues to inspire film enthusiasts today. This exhibition presents a visual exploration captured with two iconic 110 cameras—the PENTAX Auto 110 and the Canon 110ED—paired with two distinct Lomography films: LomoChrome Color ’92 (ISO 400) and Lomography Tiger CN200 (ISO 200). These images document the early days of spring in Japan, featuring landscapes and cityscapes from Hayama, Shinjuku Gyoen, Zoshigaya, Hibiya Park and Toyama Park.
While both cameras are compact 110 film marvels, their metering differences reveal interesting nuances in exposure. The PENTAX Auto 110, which automatically detects ISO 400 for LomoChrome Color ’92, produced slightly underexposed images, while the Canon 110ED, set for ISO 100, delivered well-balanced exposures with Tiger CN200. The resulting images embody the unique characteristics of 110 film photography—grainy textures, deep contrast, and nostalgic tones.
This exhibition showcases a curated selection of images from both cameras, inviting viewers to appreciate the charm of 110 film and its ability to capture fleeting moments in a way that digital cannot replicate.
Hiko Minato
Hiko Minato is a Kyoto-based photographer and director of the Okazaki Optical Research Lab. Combining vintage cameras and lenses, his work explores timeless expressions of memory and place. 
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